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Special guest Pat Boone to appear at screening of 'Journey to the Center of the Earth'

Film maven brings Hollywood to Omaha

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When film impresario Bruce Crawford presents the 1959 big screen version of Journey to the Center of the Earth May 19 with star and special guest Pat Boone he'll celebrate three milestones.


 

Legends
The 7 p.m. event at Joslyn Art Museum's Witherspoon Concert Hall benefiting the Nebraska Kidney Association marks Crawford's 20th year of classic film revivals and 30th screening. The program also pays homage to the centenary of the movie's late great composer, Bernard Herrmann.
 

Growing up in Nebraska City Crawford developed such a strong affinity for movie music and special effects he cultivated friendships with idol Herrmann and stop motion master Ray Harryhausen. He says he never imagined his film passion "would by my life and career and take me all over the country and the world."
 

Boone's the latest in a long line of legends Crawford's brought to Omaha, following Harryhausen, Patricia Neal, Janet Leigh and Debbie Reynolds. Crawford's rep as a movie maven and historian finds him contributing to documentaries and hosting movie music concerts. He and Kim Novak hosted a program at the recent TCM Classic Film Festival in L.A. Always a showman, he puts on the dog at his Omaha events with red carpet, searchlights and reenactors. For Journey he's arranged for bagpipers in quilts and steampunkers in period costumes and gear to set the mood for the Jules Verne Victorian science fiction tale.
 

Boone or bust
The ultra square pop singer Boone was under a seven-year 20th Century Fox contact when he refused doing a Marilyn Monroe picture on moral grounds. That's when the studio compelled him to make Journey. He initially balked, preferring romantic comedies and musicals like his idol Bing Crosby. Besides, sic fi movies were usually cheap, B program fillers then. Under threat of suspension he acquiesced when Fox assured him they planned a big budget production with A-list cast (James Mason) and crew director Henry Levin), plus top billing and backend profits for him.
 

A script rewrite also gave him a love interest and several songs to perform.
 

Things worked out for Boone when the Cinemascope Deluxe Color film became a hit. It reportedly kept a struggling Fox solvent.
 

A production to remember
Making the epic with its giant sets, exotic locations and esteemed co-stars is well-impressed on Boone's mind.
 

"For me working with James Mason and Arlene Dahl was not only a privilege and a highlight but it validated me as a movie actor. It was a tremendous experience but it was a very tough picture to make."
 

Among other things, there were several nights shooting in the subterranean reaches of Carlsbad Caverns in New Mexico. Back at the studio he and his fellow players clung to a mock raft suspended on a soundstage that crew rocked and deluged with water to simulate a raging whirlpool scene. He says the look of panic on Dahl's face is real.
 

In one shot Boone came close to being smothered on set when buried in an avalanche of gypsum crystals that covered his mouth and nose, pressing down on him with such weight he couldn't move. As he struggled to breathe he says he heard director Henry Levin checking, one by one, with the four camera operators to see if they got the shot, but the crystals continued falling. Luckily, he says, someone on a catwalk saw he was in trouble and alerted Levin, who finally called cut, as crewmen rushed to get him out. Another time, Boone says he kicked what he thought was a paper mache rock that turned out to be real and broke his foot.
 

'Journey's' place fixed, Boone's Hollywood fling flags
The pains that went into making the film account for its enduring appeal. Crawford says, "The movie endures for several reasons – the music, the art direction, the whole way it was put together, the beautiful sets they created, the full use of the technologies of the time. It's quite spectacular on the big screen and a lot of fun."
 

Boone's film career faded by the late '60s. As censorship dissolved and new permissiveness emerged., he found fewer scripts conforming to his conservative Christian beliefs. He's proud that Journey still holds up and entertains. He'll speak before the film and sign memorabilia afterwards.
 

Tickets are $25 and available at area Hy-Vee stores.
 

Read more of Leo Adam Biga's work at leoadambiga.wordpress.com.
 

 

 

 

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